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Author
Description
The American daguerreotype represents the culmination of more than twenty years of painstaking research by Floyd and Marion Rinhart. This single volume is a historical survey of the daguerreian art that flourished between 1840 and 1860, technical details of the daguerreotype processes including color, a discussion of the impact of the earliest photography on nineteenth-century American life and art, and a biographical listing of some 2,000 daguerreotypists...
Description
"Accompanying a traveling exhibition of the same title, Young America is the most significant publication to date on Southworth & Hawes, featuring over 150 full-scale color reproductions as well as nearly 2,000 additional black-and-white illustrations. Edited by Grant B. Romer, Director of the Advanced Program in Photography Conservation at George Eastman House, and Brian Wallis, Director of Exhibitions and Chief Curator at the International Center...
Author
Description
Louis Jacques Mandé Daguerre (1787-1851) was a true nineteenth-century visionary--a painter, printmaker, set designer, entrepreneur, inventor, and pioneer of photography. Though he was widely celebrated beyond his own lifetime for his invention of the daguerreotype, it was his origins as a theatrical designer and purveyor of visual entertainment that paved the way for Daguerre's emergence as one of the world's most iconic imagemakers. In Speculating...
Author
Description
"Gillespie maps the evolution of the daguerreotype, as medium and as profession, from its introduction to the ascendancy of the "American process," tracing its relationship to other fields and the professionalization of those fields. She does so by recounting the activities of a series of American daguerreotypists, including fine artists, scientists, and mechanical tinkerers. She describes, for example, experiments undertaken by Samuel F. B. Morse...
Author
Description
"An intimate look at the journeys of two men--a gentleman scientist and a visionary artist--as they struggled to capture the world around them, and in the process invented modern photography. During the 1830s, in an atmosphere of intense scientific enquiry fostered by the industrial revolution, two quite different men--one in France, one in England--developed their own dramatically different photographic processes in total ignorance of each other's...
Author
Description
"Before most Americans ever saw an actual daguerreotype, they encountered this visual form through written descriptions, published and rapidly reprinted in newspapers throughout the land. In The Camera and the Press, Marcy J. Dinius examines how the first written and published responses to the daguerreotype set the terms for how we now understand the representational accuracy and objectivity associated with the photograph, as well as the democratization...
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