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"These interpretive essays on Dante's thought and poetry open to the general reader the vistas explored in that superb work of human spirit, The Divine Comedy. Miss Sayers has alrady translated the cantos on "Hell" and "Purgatory." Intitmate living with a work while translating it has enabled Miss Sayers to write a down-to-eath guide through the intricacies of simile, mataphor and allegory....The author gives a clear-cut understanding, based on Dante's...
Author
Description
"A towering figure in world literature, Dante wrote his great epic poem Commedia in the early fourteenth century. The work gained universal acclaim and came to be known as La Divina Commedia, or The Divine Comedy. Giuseppe Mazzotta brings Dante and his masterpiece to life in this exploration of the man, his cultural milieu, and his endlessly fascinating works. Based on Mazzotta's highly popular Yale course, this book offers a critical reading of The...
13) Dante Alighieri
Author
Description
This book presents biographical information on Dante Alighieri's life and literary criticism on his poetry.
Description
Two of Italy's greatest artists are eternally linked, one genius having paid homage to another. Two hundred years after Dante Alighieri wrote The Divine Comedy, Sandro Botticelli illustrated the classic with a series of exquisite drawings crafted at the height of his career. In this program, translator Mark Musa, art historians, clergy, and other experts guide viewers through Botticelli's exquisite portrayal of Dante's Inferno, Purgatorio, and Paradiso,...
Author
Description
In a masterly synthesis of historical and literary analysis, Giuseppe Mazzotta shows how medieval knowledge systems - the cycle of the liberal arts, ethics, politics, and theology - interacted with poetry and elevated the Divine Comedy to a central position in shaping all other forms of discursive knowledge. To trace the circle of Dante's intellectual concerns, Mazzotta examines the structure and aims of medieval encyclopedias especially in the twelfth...
Description
Unlike many recent "companions" that seek to rewrite and revise traditional scholarship--e.g., The Cambridge Companion to Dostoevskii, ed. by W.J. Leatherborrow (CH, Mar'03, 40-3897)--the second edition of the present title (first ed., 2003) remains a bastion of authoritative scholarship and sound criticism. Jacoff (Wellesley College) adds to the original 14 essays (all of which have been updated) three new contributions. The essays center on five...
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