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Examining Henry Fielding's sustained, often ambivalent engagement with questions of gender, Natural Masques breaks with old critical commonplaces that contrast Fielding's "masculinity" with Samuel Richardson's "feminine" sensibilities. It argues that a preoccupation with the tenuousness of gendered identity appears throughout Fielding's writings, and that Fielding shared that preoccupation with his contemporaries. It therefore offers an argument about...
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