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The patriarch of the family is dying and James, his estranged son, appears unexpectedly. He can remember nothing about a mysterious moment that occurred in the family's potting shed when he was 14-years-old. Family members who recall the event are unwilling to describe it to him. With the help of a psychoanalyst, James tries to recall just what happened that day that left him rejected by his father, alienated from his family, and alone in the world....
Author
Description
"Based in part on several interviews with Foote and also on an examination of his private papers, Horton Foote and the Theater of Intimacy argues persuasively that Foote's work is a personal form of southern psychological realism, grounded in the creative tension between his desire to report the stories of his region truthfully and his almost religious belief that love remains a source of meaning, identity, and order in twentieth-century life"--Jacket....
Author
Description
"The vast difference in the quality of the plays written by Eugene O'Neill during his thirty-year career as a dramatist (1913-43) has evoked considerable wonder among critics. The fact is, nothing in O'Neill's forty-five theatrical endeavors of varying merit prior to 1939 suggests the unmistakable touch of genius which radiates from his last plays - A Touch of the Poet (1939), The Iceman Cometh (1940), Long Day's Journey into Night (1941), Hughie...
Author
Description
In this, the third volume of a trilogy devoted to the foremost among the older English poets (the others being Chaucer and Milton) the distinguished scholar and critic Edward Wagenknecht has produced a tour de force of Shakespearean scholarship. Many, if not most, Shakespeare scholars have despaired of moving beyond the poet's so-called objectivity to get at the man himself. Shakespeare has also been called "characterless" by those who cannot detect...
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