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Author
Description
I have tried to proved a straightforward account of Browning's poetic career as a whole, to give special attention to works and issues of special interest, and to gloss with cogent events in the life of the poet. Despite awareness of the dangers, I have hoped to say something useful or interesting about every book and every poem that Browning published. And at the very least, I do place every book and poem at its appropriate position in the poet's...
Author
Description
In The Dramatic Monologue, Elisabeth A. Howe defines the characteristics of the subject as a genre, clearly differentiating it from the lyric poem. One feature she discusses is the double voice of the dramatic monologue - the reader hears simultaneously the voices of the poet and the speaker. This dialogical effect distinguishes the dramatic monologue both from lyric poetry and from narrative poems written in the first person. The use of a persona...
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