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"Dvorak's cello concerto, composed during his second stay in America, is one of the most popular works in the orchestral repertoire. This guide explores Dvorak's reasons for composing a concerto for an instrument which he at one time considered unsuitable for solo work, its relationship to his American period compositions and how it forms something of a bridge with his operatic interests. A particular focus is on the concerto's unique qualities: why...
Description
In 1892 the Bohemian composer Antonin Dvorak arrived in New York City, where from 1892 to 1895 he worked as the director of the National Conservatory. "I did not come here to interpret Beethoven or Wagner for the public," he said, "but to give what encouragement I can to the young musicians of America ... I came to discover what young Americans have in them and to help them express it. The new American school of music must strike its roots deeply...
Author
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"In Dvorak to Duke Ellington, Maurice Peress begins by recounting the music's formative years: Dvorak's three-year residency as director of the National Conservatory of Music in New York (1892-1895), and his students, in particular Will Marion Cook and Rubin Goldmark, who would in turn become the teachers of Ellington, Gershwin, and Copland. We follow Dvorak to the famed Chicago World's Fair of 1893, where he directed a concert of his music for Bohemian...
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