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Description
The view of the new British theater that this book gives, from numerous vantage points, is centered on those works of John Osborne, Harold Pinter, John Arden, and Arnold Wesker that were written in the nineteen-fifties and the first half of the sixties. These studies represent the best of the sustained critical comment.
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When it was first published in 1962, Anger and After was the first comprehensive study of the dramatic movement which began in 1956 with the staging of John Osborne's Look Back in Anger and has since brought forward such dramatists as Brendan Behan, Harold Pinter, N.F. Simpson, John Arden and Arnold Wesker. Thoroughly revised in 1969, this book remains important reading for theatre students in need of a comprehensive and authoritative guide to post-Osborne...
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Description
The plays of the late Nobel laureate Harold Pinter have formed part of the canon of world theatre since the 1960s. Frequently revived on the professional stage, and studied in almost every Theatre Studies course, his importance and influence is hard to overestimate. This 'Critical Companion' offers an assessment of Pinter's entire body of work for the stage, appraising his skill as a dramatist and considering his impact and legacy. Through a clear...
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Description
"This penetrating survey covers the most creative of the Anglo-Irish modern playwrights, beginning with George Bernard Shaw and including the avant-garde dramatists of the 1960s. Emil Roy, an expert in British drama, is the author of Christopher Fry, previously published in this series. Roy devotes individual chapters to Shaw, W. B. Yeats, J. M. Synge, and Sean O'Casey. He discusses T. S. Eliot and Christopher Fry together, since Fry is Eliot's...
Author
Description
"Harold Pinter: A Question of Timing focuses on the ways in which Harold Pinter conceives of and dramatises time, showing that his concern with temporality extends beyond his obvious fascination with memory and into an area where time becomes relativistic. This analysis of Pinter's temporal relativity helps us to understand better how the surface naturalism of his plays is so often undermined by the specific time-frame in which his characters either...
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