San Antonio College Library

In the first decade of the eighteenth century, only two women published collections of verse. By the 1790s, more than thirty had done so. Yet, in the two intervening centuries, most of that verse has disappeared from view--now either ignored or forgotten. This delightful anthology takes us back to Augustan England, introducing over one hundred of these lost poets from Lady Mary Chudleigh and Octavia Walsh to Mary Locke and Georgiana Cavendish, Duchess...

This critical edition of the poems of Anna Seward (1742-1809) re-establishes one of the most popular and prolific poets of the early Romantic period. Her work influenced Charllotte Smith and Mary Robinson and later both Wordsworth and Coleridge.

The specially commissioned essays in Victorian Women Poets offer revisionary readings of canonical poets and bring into focus re-discovered writers. The volume both engages critically with the political and aesthetic agenda behind the project of recovery, and also presents a pioneering approach to reading poets who have slipped out of the canon. The work of Elizabeth Barrett Browning and Christina Rossetti is re-assessed and given surprising and innovative...

This book addresses the place of women writers in anthologies and other literary collections in eighteenth-century England. It explores and contextualizes the ways in which two different kinds of printed material--poetic miscellanies and biographical collections--complemented one another in defining expectations about the woman writer. Far more than the single-authored text, it was the collection in one form or another that invested poems and their...

"With poems in English by over one hundred female poets-American, English, Scottish, Canadian, South African, Indian, Irish, and Australian-this is an extraordinary collection that pays homage to four centuries of women's desires, friendships, and expressions of love. The collection is testimony to the rich tradition of female verse and the timelessness of love and creativity."--Back Cover.

A study of three nineteenth-century women poets and their response to a male literary tradition.

"Until quite recently, anthologies of English poetry contained very few poems by women, and histories of English poetry gave little space to women poets. How should poetry lovers respond? This book begins by suggesting four possible responses: the conservative, which claims that women have not written many good poems; individual recuperation, which salvages some fine poems by women but without altering the general view of English poetry; alternative...

Many readers still associate the Romantic era with six major poets: Samuel Taylor Coleridge, William Wordsworth, Percy Bysshe Shelley, Lord Byron, John Keats, and William Blake. But recently, critics have challenged this all male canon, pointing out that during the Romantic period women such as Joanna Baillie, Anna Letitia Barbauld, Felicia Hemans, Letitia Elizabeth Landon, Mary Robinson, Anna Seward, Charlotte Smith, and Mary Tighe were among the...