San Antonio College Library

"An exploration of historical and contemporary fine art printmaking, with an emphasis on the roles and processes of the artist, master printer, and publisher"-- Prints and Their Makers takes you behind the scenes to witness the creative process at the world's top printmaking workshops. Master printer Phil Sanders offers an in-depth look at this versatile medium and places contemporary prints and practices in the context of traditions and techniques...

"An exhibition that combines a retrospective of Brooklyn's past nineteen National Print Exhibitions with works chosen for the twentieth"--Dustjacket.

"For half a century after its introduction in Europe, printmaking remained the province of a specially trained group of professionals. What changed this situation was the invention of etching, which allowed for designs to be drawn directly onto a plate. Any competent draftsman could try his hand at this; many did, and as a result, we now have a wide-ranging corpus of major Renaissance and Baroque graphics made by artists who, though famous as painters,...

Covers the development of the art of printmaking from the late 19th century to the 1970's.

How Latinx artists around the US adopted the medium of printmaking to reclaim the lands of the Americas. Printmakers have conspired, historically, to illustrate the maps created by European colonizers that were used to chart and claim their expanding territories. Over the last three decades, Latinx artists and print studios have reclaimed this printed art form for their own spatial discourse. This book examines the limited editions produced at four...

A print can sometimes tell us more than a painting about the history of art. Michel Melot illustrates his thesis in this book, analysing relationships between artists, the art market, the critics, collectors and political institutions. This fresh approach reveals Impressionism not as a sort of miracle, but as a response to economic and social upheaval. This original view of a key movement in the history of art allows the reader to understand its...

"A Renaissance print with color is almost invariably regarded as a suspect object because the color is presumed to be a cosmetic addition made to compensate for deficiencies of design or condition. Painted Prints challenges this deeply entrenched assumption about the material and aesthetic structure of early prints by showing that in many cases hand coloring is not a dubious supplement to a print but is instead an integral element augmenting its expressive...