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An alphabetic guide to Renaissance literature. Covers important European writers, influential works, literary terms and key topics during the years 1500 to 1700. Providing a wealth of information, this A-to-Z encyclopedia is a comprehensive one-volume reference to the literary works, writers, and concepts of the Renaissance. Spanning the years from approximately 1500 to 1660 CE, this guide examines the history and development of literature as it flourished...
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"The essays in Menacing Virgins: Representing Virginity in the Middle Ages and the Renaissance examine the nexus of religious, political, economic, and aesthetic values that produce the Western European myth of virginity, and explore how those complex cultural forces animate, empower, discipline, disclose, mystify, and menace the virginal body. As the title suggests, the virgin can be seen alternately or even simultaneously as menaced or menacing."--BOOK...
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This book offers a new reading of early modern romance in the light of historically contemporary accounts of mind, and specifically the medical tradition of love-melancholy. The book argues that the medical profile of the melancholic lover provides an essential context for understanding the characteristic patterns of romance: narrative deferral, epistemological uncertainty, and the endless quest for a quasi-phantasmic beloved. Unlike many recent studies...
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Mirabile Dictu covers in six separate chapters the works of Virgil, Dante, Boccaccio, Ariosto, Tasso, and Spenser. Its broad aim is to provide a select cross section of works in the Middle Ages and Renaissance in order to examine and compare for the first time the marvelous in the light of epic genre, in the light of literary and critical theory (both past and present), and in the light of historically and culturally determined representational practices....
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C.S. Lewis's The Discarded Image paints a lucid picture of the medieval world view, as historical and cultural background to the literature of the middle ages and renaissance. It describes the 'image' discarded by later ages as 'the medieval synthesis itself, the whole organisation of their theology, science and history into a single, complex, harmonious mental model of the universe'.
10) Classical myths and legends in the Middle Ages and Renaissance: a dictionary of allegorical meanings
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From Achilles to Zephyr, this dictionary's entries are concerned with the allegorical traditions of Medieval and Renaissance Christians related to the gods, goddesses, heros, heroines, and places of classical myth. The material is culled from English, Latin, Greek, Italian, French, Dutch, German, and Spanish sources from the early Middle Ages to Milton. Readers are guided as to which traditions were current at what time, so someone reading Shakespeare,...
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Annabel M. Patterson offers here a reassessment of the place of Hermogenes, a Greek rhetorician of the second century A.D., in literary history. She shows that the literary men of the European Renaissance-scholars, critics, and poets-found Hermogenes' Concerning Ideas both important and extremely useful, and she finds that they vigorously applied his concepts to create "a lovely conformitie." The author first gives the history of this treatise on...
Description
"Juxtaposing the insights of feminism with those of marxism, psychoanalysis, and deconstruction, this unique collection creates new common ground for women's studies and Renaissance studies. An outstanding array of scholars-- literary critics, art critics, and historians-- reexamines the role of women and their relations with men during the Renaissance. In the process, the contributors enrich the emerging languages of and about women, gender, and...
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