San Antonio College Library

The author argues that cinematic apparatus and human visual apparatus have significant properties in common. For that reason they can be brought into a dynamic, creative relationship which the author calls the dialectic of eye and camera. The author explores the consequences of this relationship.

Amanda, a divorced photographer, finds herself in a fantastic Alice-in-Wonderland experience when her daily, uninspired life literally begins to unravel. Guided by leading scientists and mystics, she finds that if reality itself is not questionable, her notion of it certainly is. Plunge into a world where quantum uncertainty is demonstrated - where Amanda's neurological processes, and perceptual shifts are engaged and lived - where everything is alive,...

Historians and students of American avant-garde cinema often overlook the films of the 1920s through the early 1940s, considering them mere derivatives of their European counterparts. In fact, the American films possess an eclecticism, innovation, and naivete all their own. Marshaling his broad cinematic and cultural knowledge, editor Jan-Christopher Horak has compiled in Lovers of Cinema a ground-breaking group of articles on this neglected film...

Women's Experimental Cinema provides lively introductions to the work of fifteen avant-garde women filmmakers, some of whom worked as early as the 1950s and many of whom are still working today. In each essay in this collection, a leading film scholar considers a single filmmaker, supplying biographical information, analyzing various influences on her work, examining the development of her corpus, and interpreting a significant number of individual...

"Utilizing a delirious combination of puppets, humans, stop-motion animation and live action, Svankmajer's films conjure up a dreamlike universe that is at once dark, macabre, witty and perversely visceral. This is a collection of short works"--Container.

"Film critic David Sterritt presents an interdisciplinary exploration of the Beat Generation, its intersections with mainstream and experimental film, and the interactions of all of these with American society and the culture of the '50s. Examining American society in the '50s, Sterritt balances the Beat countercultural goal of rebellion through both artistic creation and everyday behavior against the mainstream values of conformity and conservatism,...

Pitfall: When a miner leaves his employer and treks out with his young son to become a migrant worker, he finds himself moving from one eerie landscape to another, intermittently followed (and photographed) by an enigmatic man in a clean, white suit, and eventually coming face-to-face with his inescapable destiny. Woman in the dunes: An amateur entomologist leaves Tokyo to study an unclassified species of beetle that resides in a remote, vast desert....