San Antonio College Library

Hall explores the religious themes of Frost's poetry in configurations of language and metaphor and corrects views held of Frost as a refined agnostic, a spiritual drifter or a poet flawed by teleological uncertainty. Using a thematic organization, she juxtaposes Frost's earlier poems with later ones to reveal an impressive consistency in his thinking, an overriding consciousness of design which she interprets as an expression of his belief in a comprehensive...