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The author's thesis is that Hemingway did in words what Expressionist painters were doing in paint. Nelson describes Expressionism as a twentieth century phenomenon chracteristic of our age, marked by emotion, distortion, violent color, line and contrast, haunted by " uncontrollable cries of pain." He analyzes Hemingway's works and relates certain elements in these to works of art. 18 reproductions of works by Cezanne, Picasso, Klee, Munch and others...
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