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In this study of the Austrian lyric poet Hugo von Hofmannsthal, Adrian Del Caro proves that this precocious contemporary of Rilke, too often considered a typical fin-de-siecle aesthete, was in fact an early and consistent opponent of aestheticism. In lucid and graceful prose Del Caro clearly establishes a parallel between Hofmannsthal's work and Nietzsche's Lebensphilosophie, demonstrating that the poet, with his efforts to find a legitimate source...
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