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In this clear, succinct, and engaging book, noted critic James Olney explores the work of three seemingly disparate precursors of modernism - Whitman, Dickinson, and Hopkins - and establishes a set of criteria by which any reader might judge and better appreciate a poem. Considering the language of the poets' times, their unique ways with language, and what he calls the "nearly ahistorical language" of poetry, Olney arrives at three properties that...
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