San Antonio College Library

Examines American film director John Huston's work in a strictly critical approach, offering much insight into the illustrious director's career.

John Huston as Adaptor makes the case that adaptation is the salient element in Huston's identity as a filmmaker and that his early and deep attraction to the experience of reading informed his approach to film adaptation. Thirty-four of Huston's thirty-seven films were adaptations of literary texts, and they stand as serious interpretations of literary works that could only be made by an astute reader of literature. Indeed, Huston asserted that a...

Hollywood icon John Huston shares numerous insights and experiences in this classic Bill Moyers interview, filmed five years before the director's death in 1987. Answering questions on art and personal adversity at his secluded Mexican villa, Huston also allows Moyers to join him behind the camera during the shooting of Annie. Topics include the many false starts that prefaced Huston's career; his thoughts about directing his father in Treasure of...

Overview: This aptly titled study of the careers of eight prominent Hollywood directors is based on personal acquaintance, on formal and informal interviews conducted over a period of several years, and on scholarly research on the directors and their films. In each case, Tuska presents a study of the artist in terms of his creations, surrounding the chronology of his work in film with an appraisal of it and an informal portrait. Eschewing the subjective...

Noted film noir historians Alain Silver and James Ursini, acting as editors, concentrate in this work on the thirty key directors of the classic noir period. These include well-known luminaries, such as Orson Welles, Billy Wilder, Nicholas Ray, and Joseph Losey as well as lesser-known lights of noir, such as Gerd Oswald, Felix E. Feist, Ida Lupino, and John Brahm. Each article will include a short biography of the director, a list of their major noir...