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Description
"The bloodthirsty savage, whooping and screaming and eager to scalp any white man who dared travel west, has been a staple of film since the earliest days of the medium. More recently, Native Americans have frequently been portrayed as environmentally aware, unburdened by the trappings of modern life, with much to teach whites. In this collection of essays, seventeen scholars explore the changing depictions of Hollywood's Indian and how those representations...
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"In this dynamic collection of essays, Arnold Krupat, one of the leading critics of American Indian writing, storytelling, and film, offers insightful and provocative analyses of representations by and about Native peoples, past and present. He considers the relations between tricksters in traditional and contemporary stories, the ways in which Native peoples were depicted in mainstream American literature in the mid-nineteenth century, and how modern...
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"This work addresses a range of portrayals of the Native American people, from the bloodthirsty barbarians and noble savages of dime novels, to secondary characters and sidekicks, and, occasionally, protagonists sans paternal white hero, examining how and why Native Americans have been marginalized and misrepresented in comics"--Provided by publisher.
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This companion guide to the authors' 1996 work, The Native American in Long Fiction: An Annotated Bibliography, compiles annotated entries on all identifiable novel-length fictional works by and about Native Americans published primarily between 1995 and 2002. It identifies Native American authors who have written long fiction on themes relevant to their history, social conditions, and culture, and includes works by non-Native American authors that...
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"Since N. Scott Momaday's 1969 Pulitzer Prize for House Made of Dawn brought Native American fiction squarely into mainstream culture, the genre has expanded in different ways and in new directions. The result is a Native American-written literature that requires a variety of critical approaches, including a discussion of how this canon differs from the familiar, established canons of American literature. Drawing on personal experience as well as...
10) Picturing Indians: photographic encounters and tourist fantasies in H.H. Bennett's Wisconsin Dells
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"Today a tourist Mecca, the area now known as the Wisconsin Dells was once wilderness - and a gathering place for the region's Native peoples, the Ho-Chunk, who for centuries migrated to this part of the Wisconsin River for both sustenance and spiritual renewal. By the late 1800s their numbers had dwindled considerably through displacement or forcible removal, and it was this smaller band that caught the attention of photographer Henry Hamilton Bennett....
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"How literary portraits of Indian-white encounters shaped nineteenth-century disputes over Native rights. An old Indian woman comforts two young white children she finds lost in the woods and lovingly carries them back to their eager parents. A frontiersman sheds tears over the grave of a Mohican youth, holding hands with the mourning father. According to Laura L. Mielke, such emotionally charged scenes between whites and Indians paradoxically flourished...
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"The half-blood--half Indian, half white--is a frequent figure in the popular fiction of nineteenth-century America, for he (or sometimes she) served to symbolize many of the conflicting cultural values with which American society was then wrestling. In literature, as in real life the half-blood was a product of the frontier, embodying the conflict between wilderness and civilization that haunted and stirred the American imagination. What was his...
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An annotated bibliography of novel-length fictional works by and about Native Americans, written from the Native American perspective, and published between the 1890s and the 1990s. Material from genres including contemporary fiction, westerns, romances, mysteries, science fiction, and young adult fiction of interest to adults is included. Synopses organized alphabetically by author's name identify time period, location, and tribal band associated...
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George Catlin was the first artist of stature to travel our Western Plains for the purpose of making a documentary record of the Indian tribes. Between 1830 and 1836 the visited and became well acquainted with almost all the important tribes, scattered over the vast and still little-known area from the Upper Missouri and the headwaters of the Mississippi to the Mexican Territory in the far Southwest. He made the most comprehensive pictorial record...
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Although spectral Indians appear with startling frequency in US literary works, until now the implications of describing them as ghosts have not been thoroughly investigated. In the first years of nationhood, Philip Freneau and Sarah Wentworth Morton peopled their works with Indian phantoms, as did Charles Brocken Brown, Washington Irving, Samuel Woodworth, Lydia Maria Child, James Fenimore Cooper, William Apess, Nathaniel Hawthorne, and others who...
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