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"In The Cinematic Theater, Ebrahimian examines and explores the similarities and differences between cinema and theater, and in doing so defines a new theater form. Identifying the need for image-based perceptions, Ebrahimian describes the basic elements that define the cinematic theater.
To illustrate this he analyzes the work of major film directors, such as Sergei Eisenstein, Federico Fellini, Martin Scorsese, and Orson Welles, while drawing upon...
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Together with Royal Shakespeare Company actors including Patrick Stewart, Judi Dench, Ian McKellen, Ben Kingsley, and David Suchet, director John Barton demonstrates how to adapt Elizabethan theater for the modern stage. Barton begins by explicating Shakespeare's verse and prose, speeches and soliloquies, and naturalistic and heightened language to discover the essence of his characters. In the second section, Barton and the actors explore nuance...
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With clear and concise examples and hands-on exercises, Fundamentals of Theatrical Design illustrates the way in which the three major areas of theatrical design--scenery, costumes, and lighting--are intrinsically linked. Veteran theater designers Karen Brewster and Melissa Shafer have consulted with a broad range of seasoned theater industry professionals--playwrights, actors, directors, producers, stage managers--to provide an exhaustive guide full...
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"German theater has always held a special place in the life of the German-speaking community, which consists mainly of Germany, Austria, and part of Switzerland. More than merely entertainment, it was a crucial component of culture and often influenced society and politics. And its influence gradually reached much further, with the emergence of such outstanding playwrights as Goethe, Schiller, Hauptmann, and Brecht, as well as exceptional dramas such...
Author
Description
Without scenery, costumes, and stage action, an opera would be little more than a concert. But in the audience, we know little (and think less) about the enormous efforts of those involved in bringing an opera to life--by the stagehands who shift scenery, the scenic artists who create beautiful backdrops, the electricians who focus the spotlights, and the stage manager who calls them and the singers to their places during the performance. The first...
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Over the last 150 years, Wagner's operas have been parodied, translated into scores of languages - from Lettish to Catalan - reviled and revered. Audiences have been confronted with pre-Raphaelite Wagner, High victorian Wagner, art deco and high-tech Wagner. Charles Osborne's authoritative and perceptive text provides the historical framework and critical commentary for the productions highlighted in the illustrations, while his biographical dictionary...
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A comprehensive treatment of Shakespeare's plays in clear prose, The Practical Shakespeare: The Plays in Practice and on the Page illuminates for a general audience how and why the plays work so well. Noting in detail the practical and physical limitations the Bard faced as he worked out the logistics of his plays, Colin Butler demonstrates how Shakespeare incorporated and exploited those limitations to his advantage: his management of entrances and...
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This is a study of the role of disguise devices in early modern English drama that focuses on the theatrical or material performance of spectacle of disguise, which Hyland (early modern literature and drama, U. of Western Ontario, Canada) argues other scholars have tended to neglect in favor of looking through the performance of disguise to its social or metaphorical meanings. He presents a catalog of disguise plays and devices, including many obscure...
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Description
"An impossible question from a Chinese actor - "Why is Shakespeare eternal?"--Drove Sidney Homan after fifty years in the theater to ponder just what makes Shakespeare ... well, Shakespeare. The result, Directing Shakespeare, reflects the two worlds in which Homan operates - as a scholar and teacher on campus, and as a director and actor in professional and university theaters." "Professor Sidney Homan's concern is the entire process, beginning in...
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