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"The golden age of the Mughal empire comprised the reigns of three emperors: Akbar, Jahangir and Shah Jahan. Their land, which they called Hindustan, was a conquered one; their language was Persian; they employed Hindu and Muslim artists and commissioned books and paintings with themes drawn from these varied traditions, and from Europe. This complex cultural framework produced some of the finest court paintings ever seen in the Subcontinent." "In...
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This original book untangles fundamental confusions about historical relationships among Islam, representational images, and philosophy. Closely examining some of the most meaningful and best preserved premodern illustrated manuscripts of Islamic cosmographies, Persis Berlekamp refutes the assertion often made by other historians of medieval Islamic art that, while representational images did exist, they did not serve religious purposes. The author...
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"The Mirâj nâmeh is a mystical legend describing the marvelous or apocalyptical visions that marked the stages of that miraculous ascension in the course of which ... the founder of Islam reached the Throne of God ... fifteenth-century manuscript ... decorated with sixty-one ... illuminations"--Dustjacket.
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