San Antonio College Library

An elusive figure until the 1840s, the war correspondent is a comparatively new phenomenon. Prior to the Mexican War and invention of the telegraph, military commanders reported their own victories. Correspondents rarely used bylines prior to the 20th century. The first of its kind, this book fills a gap in the history of war journalism as well as military history, literature, and imperialism. Entries cover reporters, photographers, and artists who...

Clear differences between the missions and goals of the press and those of the military, particularly centering around the issues of access and operational security, make historical tensions between the two unsurprising and complete avoidance of tension unlikely. However, significant overlaps, including core goals of professionalism and public service, make cooperation a reasonable possibility. This book traces the back-and-forth interactions between...

This book is the first about military-media relations to argue for a fundamental restructuring of national journalism and the first to document the failure of American journalism in the national security field for the past thirty years. Press complaints of excessive control by the military during the Persian Gulf War of 1990-91 were the inevitable result of the failure of American journalism to train competent specialists in military reporting and...

With the words "This is London," Edward R. Murrow's groundbreaking radio broadcasts from 1939 to 1941 brought the blitz into America's living rooms. Countering the tide of U.S. isolationism, Murrow told his huge audience that the United States could not avoid a confrontation with Hitler and that the bombs it heard falling during his reports would eventually be targeted at American cities. But although often cited as the paragon of journalistic objectivity,...

"Early in World War II censors placed all photographs of dead and badly wounded Americans in a secret Pentagon file known to officials as the Chamber of Horrors. Later, as government leaders became concerned about public complacency brought on by Allied victories, they released some of these photographs of war's brutality. But to the war's end and after, they continued to censor photographs of mutilated or emotionally distressed American soldiers,...