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"A picture universally recognized, endlessly scrutinized and described, incessantly copied, adapted, lampooned: does Leonardo's near-ruined Last Supper still offer anything new to be seen or to be said: This book is a resounding Yes to both questions. With direct perception - and with attention paid to the work of earlier scholars and to the criticism embodied in the production of copyists over the past five hundred years - Steinberg demonstrates...
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