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In the 1940s, Alexander Liberman "feared that many traces of a heroic epoch might vanish." France had seen a flowering of painting and sculpture in the first half of this century that rivaled that of the Renaissance, and after World War II Liberman set out to visit those artists who still lived there and to seek what remained of those who had gone. Liberman was fascinated by the relationship between the artists' surroundings and their work, and he...
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