San Antonio College Library

Originally published in 1966, the Reeseschrift remains one of the most significant collections of musicological writings ever assembled. Its fifty-six essays, written by some of the greatest scholars of our time, range chronologically from antiquity to the 17th century and geographically from Byzantium to the British Isles. They deal with questions of history, style, form, texture, notation, and performance practice.

How did Renaissance composers write their music? In this revolutionary look at a subject that has fascinated scholars for years, musicologist Jessie Ann Owens offers new and striking evidence that contrary to accepted theory, sixteenth-century composers did not use scores to compose - even to write complex vocal polyphony. Her research demonstrates that instead of working in full score, Renaissance composers fashioned the music in parts, often working...

In the years following the Act of Uniformity in 1549, musicians seemed to thrive on the challenge of the New Prayer Book, and the successive reigns of Elizabeth I, James I and Charles I bought a rich and varied repertory of vernacular church music. This book traces these developments in great detail, drawing on many contemporary sources to illuminate the music and its social and religious background.

This is a complete revision of the second edition, designed as a guide and resource in the study of music from the earliest times through the Renaissance period. The authors have completely revised and updated the bibliographies; in general they are limited to English language sources. In order to facilitate study of this period and to use materials efficiently, references to facsimiles, monumental editions, complete composers' works and specialized...

Interpretation and criticism of the works of Arthur Mendel.