Catalog Search Results
Description
The development of brass instruments from the lowly cow horn. Although trumpet fanfares and brass bands are relatively recent in the history of music, even the bone or wooden ancestors of the trumpet were associated with royalty, pomp, or war. David Munrow explains how pitch variations are achieved with these brasses.
Description
In this program, John James, one of Britain's top fingerstyle guitarists, shows viewers the basics of playing the six-string acoustic guitar. Subjects include types of guitars; the parts of the guitar; replacing strings; how to hold acoustic and electric guitars; tuning; strumming and fretting; left- and right-hand fingering; notes and intervals; bending notes and vibrato; chord diagrams, tablature, and keeping time; scales; the C, G7, D7, G Major,...
Description
This program features Matt Clifford, a brilliant keyboard artist who has toured with The Rolling Stones and Yes. After a detailed overview of synthesizers and their capabilities, he gives instruction on choosing a keyboard; notes and intervals; bending notes and vibrato; keeping time; scales; bass lines, left- and right-hand chords, melody lines, and rhythms; MIDI technology and sampling; using orchestral, classic rock, and synthesized sounds; building...
Description
Two groups of instruments use strings as the primary source of sound: those in which plucking sets the strings in vibration, and the bowed strings. This program shows how the demand for more powerful sounds was met, and examines the instruments of Stradivari to determine what science can and cannot reveal about their magic. It also examines the ways in which scientific methods complement the skill of craftsmen in making instruments.
Description
In the 11th century, European musicians tried to make their instruments sound like the human voice. Instead of plucking the strings, they began drawing a piece of wood or bone across them to sustain the tone. By Elizabethan times, the viol was the aristocrat of bowed instruments, while the violin was considered fit only for pubs and parties. This program shows how fashions as well as musical instruments changed.
Description
No other instrument has been as important to the history of Western music as the piano. Since its invention in Florence three hundred years ago, the piano has become many things to many people-a bridge between the worlds of classical and popular music and the ultimate composer's companion. This program traces the ancestry of the instrument and the history of those composers who championed its use. From the concert hall to nightclubs and living rooms,...
Description
This program is devoted to analyzing the essential features required in any instrument if a usable musical sound is to be produced. The first requirement is for a device that will produce regularity of pressure change, whether a vibration or wobble, a rotation (like the wheel of a siren), vibration of air in pipes, or tightly stretched strings, or more or less flat plates, or hollow vessels like bells. The program examines how energy can be provided...
Description
This program covers such problems as the production of varying degrees of loudness on harpsichords and spinets, the mechanical engineering of the modern piano, the origin of scales, and the inability of keyboard instruments to produce scales in all keys exactly in tune. Synthesizers demonstrate both the problem and its solution. The progression is from electronic organs to analogue synthesizers, from purely electronic oscillations to the addition,...
Description
Despite its title, this program actually covers all the wind instruments, including the pipe organ. It considers the way in which the technology of making instruments has affected the course of musical development, particularly the development of valves for trumpets and Boehm's system of woodwind keys. The program examines the subject of vibrations in tubes, the role of finger holes, and the components of tone quality. It concludes by putting a camera...
Description
In this program, Geoff Nicholls, co-presenter of BBC TV's classic Rock School series, introduces students to the drum set with instruction on the components of the drum set and their parts; choosing sticks, drums, and cymbals; replacing drum heads; how to hold the sticks using orthodox and matched grips; tuning; hand and foot strokes; drum notation and keeping time; quarter, eighth, and sixteenth notes and their associated triplets; varying rhythms...
16) Flamenco at 5:15
Description
This Oscar-winning film is a visual and emotional thriller. It is an impressionistic record of a flamenco dance class given to senior students of the National Ballet School of Canada by two great teachers from Spain, Susana Robledo and her longtime accompanist husband, Antonio Robledo. These dedicated teachers come to school every winter to conduct classes held after the day's regular schedule has ended. As trained dancers, the students pick up most...
Description
This program opens with Fritz Reiner conducting the New York Philharmonic in Tchaikovsky's Violin Concerto, with Jascha Heifetz as soloist; Reiner, whom Isaac Stern characterizes as a brilliant stick technician, is also seen conducting the Chicago Symphony in Beethoven's Seventh. The program also presents Szell in conversation and rehearsing the Cleveland in Brahms' Academic Festival Overture, von Karajan in conversation and performing Debussy's "La...
Description
The opening program is concerned with the development of the Middle-European tradition of conducting, from the origin of the conductor's job as time-keeper to the (though it now seems absurd) startling concept that the conductor should seek to convey the composer's intentions. With silent footage of the father of modern conducting, Arthur Nikisch-the only visual record of Nikisch in action; Bernstein, rehearsing Shostakovich Symphony No. 5; Barbirolli,...
Description
In this program, the orchestra uses lighthearted cafe music from the Milhaud ballet set in a Paris nightclub to illustrate how the use of various keys adds color to the musical landscape. Different instruments, performing the pieces in major and minor keys, give listeners a firsthand glimpse into how key changes add interest to music.
Description
James "Blood" Ulmer is one of the few guitarists to have forged a style based largely on the traditions of African-American vernacular music. Ulmer is an adherent of saxophonist/composer Ornette Coleman's vaguely defined Harmelodic theory and plays with a stuttering, vocalic attack; his jagged lines speak with the authority of a free jazz improviser and the accent of a soul-jazz tenor saxophonist. His solo guitar work is an expressive, hard-edged,...
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