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The notorious Central Pacific Railroad riveted the attention of two great American writers: Ambrose Bierce and Frank Norris. Drabelle tells a classic story of corporate greed vs. the power of the pen. The Central Pacific Railroad accepted US Government loans; but, when the loans fell due, the last surviving founder of the railroad avoided repayment. Bierce, at the behest of his boss William Randolph Hearst, swung into action writing over sixty stinging...
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This study examines American literary naturalism as a narrative form and the ways in which it has been reworked in modern and postmodern texts. Departing from the work of such widely diverse theorists as Charles Child Walcutt, Donald Pizer, and Walter Benn Michaels, Paul Civello views naturalism not as a distinctly turn-of-the-century literary phenomenon but as a form of narrative that continued to manifest itself in later literary movements. In tracing...
Author
Description
Traces the scientific and philosophical expansion of the concept of "force" in the 19th century, particularly in the work of Herbert Spencer, whose "Synthetic Philosophy" made the idea available to a wide range of writers. Details how Spencer helped to shape social ideals, ethical standards and the way people conceived of their place metaphysically in a period that was dominated by secular and scientific thought. Martin scrutinizes the force theory...
Author
Description
Traces the social and economic conditions that helped to produce American realism. Analyzing publishing records, personal correspondence, and essays, he shows how dramatic changes in the book market of the late nineteenth century required a redefinition of what a novel was, how it was written, on what basis the author engaged the audience, and what social role the author could play.
14) American realism
Author
Description
This anthology traces the growth & development of Realism in America, which for more than half a century after the end of the Civil War was dominated by such realists as W.D. Howells, Mark Twain & Henry James.
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