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Bodily Charm is a passionate defense of opera as a living as well as live art. Written for both the opera lover and the specialist by a physician and a literary critic, it is an accessible and engaging interdisciplinary exploration of the operatic body-both the actual physical bodies of the singers and audience members and the represented body on stage in operas such as Death in Venice, Salome, Rigoletto, Der Ring des Nibelungen, and Elektra.
Author
Description
Some persons view the belated 1955 debut of Marian Anderson at the Metropolitan Opera as the benchmark for African Americans' entry into the world of grand opera. In fact, many black Americans had produced or performed in opera as early as 1873. Since these classically trained black artists could not perform in the major operatic venues because of racist attitudes toward them, several all-black opera companies founded prior to 1900 provided venues...
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