Catalog Search Results
1) Dark odyssey
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Griffiths' photographs often portray a sharp sense of irony. This book includes photographs from around the world, including Northern Ireland and Vietnam.
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"Documentary photographers explore the crucial issues and events of our time. Building on the traditions and passions of their predecessors, they are devising new strategies to address the obstacles and opportunities created by rapid media changes and intensified cross-cultural contact. Witness in Our Time traces the recent history of social documentary photography in the words of twenty-two of the genre's best photographers, editors, and curators,...
8) The Beats
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"In the late 50s after an unsuccessful stint in college, master photographer Larry Fink dropped out and began an odyssey of hitchhiking through America. Starting out in Cedar Rapids, Iowa, and moving on to Chicago, Larry travelled eastward through Cincinnati and finally back to his native soil on Long Island where his family waited with dismayed but open arms. Clearly Long Island was not an optimal place for young Fink to remain. Striking out on his...
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A magical and illuminating photographic exploration of Mexico and the United States, Truths & Fictions is the most comprehensive body of work to date using digital-imaging technology. Mexican photographer Pedro Meyer employs the new medium in these images to convey powerful insights into human nature and the nature of perception. Meyer's blend of documentary photography and computer-imaging makes for an idiosyncratic journey across the Americas that...
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"In Photography as Activism, Michelle Bogre discusses the philosophy and history of photography's role in social reform. Beginning with the invention of the camera, she traces the earliest instances of photographic activism through to today's emerging practices, profiling the most prominent activists of their time and their legendary images. Also profiled are contemporary photographer activists, including Jonathan Torgovnik. A photograph from Torgovnik's...
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"Milton Rogovin: The Making of a Social Documentary Photographer chronicles his life and reveals the man behind the photographs. This illustrated retrospective features Rogovin's own narrative of his development and life as a documentary photographer, amplified by an account of the historical events and circumstances that shaped his politics and social consciousness. Milton Rogovin has dedicated his life's work to enabling people to see more clearly."--Jacket....
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National Geographic's most expansive and sumptous book ever. Through the Lens is culled from an extraordinary photographic archive, which spans more than a century and houses ten million images. This is a treasure trove that showcases hundreds of unforgettable photographs from the world's finest photographers. It is a wide-ranging, vibrant collection that opens a new and wonderful window with every turn of the page.
17) Runway
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Acclaimed master photographer Larry Fink's behind-the-scenes photographs from the world of fashion and couture have graced the pages of America's top beauty, style, and literary magazines (W, GQ, Detour, The New Yorker), and his inimitable take on the biz has resulted in special commissions by the likes of Gianni Versace, Isaac Mizrahi, and Donna Karan.
The seemingly surreptitiously captured dioramas in "Runway" of Fashion Week, special collection...
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"Examines the most important photographers and developments in the documentary genre during this century. It encompasses the reform-era images of Francis Benjamin Johnston and Lewis Hine; the work of Farm Security Administration (FSA) photographers like Walker Evans and Dorothea Lange during both the 1930s and 1940s after the FSA photography unit broke up; the American-Way-of-Life pictures published by Life, Look, and the United States Information...
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"Ever since the landmark publication of Susan Sontag's On Photography, it has been impossible to look at photographs, particularly those of violence and suffering, without questioning our role as photographic voyeur. Are we desensitized by the proliferation of these images? Or do the images stir our own sense of justice and act as a call to arms? Are we consuming the suffering of others? What should our responses to these images be? To answer these...
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