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John Berger's explorations of the relationships between the individual and society, culture and politics, and experience and expression through the written word, films, photographic collaborations and performances are unmatched in their diversity, ambition and reach. His television series and book "Ways of Seeing" revolutionized the way that art is understood. Now, "Understanding a Photograph" gathers the photography writings of one of the most internationally...
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Snapshots capture everyday occasions. Taken by amateur photographers with simple point-and-shoot cameras, snapshots often commemorate something that is private and personal; yet they also reflect widely held cultural conventions. In this book, Catherine Zuromskis examines the development of a form of visual expression that is both public and private.
"Through a series of case studies, Zuromskis explores the social life of snapshot photography in...
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"'Bending the Frame, ' Fred Ritchin's third book on the future of the photographic medium, immerses the reader in the complex new ecosystem of the image and poses a series of critical questions that are relevant to today's image makers and readers alike. He begins by asking: "What do we want from this media revolution? Not just where is it bringing us, but where do we want to go? When the pixels start to settle, where do we think we should be in relationship...
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'Camera Works' is about the impact of photography and film on modern art and literature. With examples from the avant-garde of the little magazines and from classic authors like Fitzgerald and Hemingway, it argues that literature and art become modern byresponding to these new means of representation.
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"In Photography as Activism, Michelle Bogre discusses the philosophy and history of photography's role in social reform. Beginning with the invention of the camera, she traces the earliest instances of photographic activism through to today's emerging practices, profiling the most prominent activists of their time and their legendary images. Also profiled are contemporary photographer activists, including Jonathan Torgovnik. A photograph from Torgovnik's...
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"What is the evolving relationship between words and images in the photographic essay? How do the purpose and form of the photographic essay change over time? And how are relationships between the contributors, subject, and readers communicated explicitly and implicitly in both content and form? Klingensmith explores these questions in In Appropriate Distance as she traces the development of the photographic essay from the 1890s to the 1990s and beyond....
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"Broadens view of the civil rights movement as taking place only in the South during the 1960s with over 100 photographs from the North, Midwest, and West taken between 1938 and 1970, and with historical context of the black freedom struggle into the 21st century. Includes timeline with geographical locations"--Provided by publisher.
Description
As a visual medium, the photograph has many culturally resonant properties that it shares with no other medium. These essays develop innovative cultural strategies for reading, re-reading and re-using photographs, as well as for (re)creating photographs and other artworks and evoke varied sites of memory in contemporary landscapes: from sites of war and other violence through the lost places of indigenous peoples to the once-familiar everyday places...
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What is the meaning and scope of images today? Bombarded by thousands of images every day, what do we really see? In a constantly changing world, socially and politically engaged creators are searching for new ways to capture our attention. Filmmaker Helen Doyle has chosen the work of several artists and photographers who provoke us into looking deeper at the outside world and at ourselves.
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Photography and anthropology share strikingly parallel histories. Christopher Pinney's provocative and eminently readable account provides a polemical narrative of anthropologists' use of photography from the 1840s to the present. Walter Benjamin suggested that photography 'make[s] the difference between technology and magic visible as a thoroughly historical variable, ' and Pinney here explores photography as a divinatory practice. Though viewed...
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This is an account of the power relations that sustain and make possible photographic meanings, with special attention to photographs of Palestinian noncitizens of Israel and women in Western societies.
"Azoulay argues that photography is a particular set of relations between individuals to the power that governs them, and, at the same time, a form of relations among equal individuals that constrains this power. Her book shows how anyone, even a...
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"Before most Americans ever saw an actual daguerreotype, they encountered this visual form through written descriptions, published and rapidly reprinted in newspapers throughout the land. In The Camera and the Press, Marcy J. Dinius examines how the first written and published responses to the daguerreotype set the terms for how we now understand the representational accuracy and objectivity associated with the photograph, as well as the democratization...
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"Artists in the Photo League, active from 1936 to 1951, were known for capturing sharply revealing, compelling moments from everyday life. Their focus centered on New York City and its vibrant streets--a newsboy at work, a brass band on a bustling corner, a crowded beach at Coney Island. Though beautiful, the images harbor strong social commentary on issues of class, child labor, and opportunity. The Radical Camera explores the fascinating blend of...
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"A Strange and Fearful Interest explores how photography and other media were used to describe, to explain, and perhaps to come to terms with the national trauma of the American Civil War. The volume focuses on the Battle of Antietam, not only the bloodiest day in the nation's history but also the first in which photographs of American battlefield dead were made; the assassination of Abraham Lincoln, the national mourning that ensued, and the execution...
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"In 1850 seven South Carolina slaves were photographed at the request of the famous naturalist Louis Agassiz to provide evidence of the supposed biological inferiority of Africans. Lost for many years, the photographs were rediscovered in the attic of Harvard's Peabody Museum in 1976. In the first narrative history of these images, Molly Rogers tells the story of the photographs, the people they depict, and the men who made and used them. Weaving...
Description
"What does it mean to live in a post-atomic world? Photography and contemporary art offer a provocative lens through which to comprehend the by-products of the atomic age, from weapons proliferation, nuclear disaster, and aerial surveillance to toxic waste disposal and climate change. Confronting cultural fallout from the dawn of the nuclear age, Through Post-Atomic Eyes addresses the myriad iterations of nuclear threat and their visual legacy in...
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