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What makes Emily Dickinson such a fascinating poet? Although she left no personal poetics, she did define her own response to poetry as an immediate sensual reaction: "If I read a book [and] it makes my whole body so cold no fire can ever warm me I know that is poetry. If I feel physically as if the top of my head were taken off, I know that is poetry" (L. 342a). Presumably, her own poetry is most significant not in what it communicates to a reader...
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Melville has long been regarded as an author of raw genius who knew, or cared, little about the art of the novel, and even harbored hostility toward its conventions. In The Weaver-God, He Weaves, Christopher Sten sets out to correct this widespread view, showing not only what Melville knew about the novelist's craft but how he appropriated and transformed a whole series of distinct genres: Typee is presented in the context of the popular romance,...
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A Moment's Monument: Revisionary Poetics and the Nineteenth-Century English Sonnet argues that the history of the sonnet in the last century is more than a decorative strand in its literary fabric. To a large extent, this book is about Wordsworth, who discovers, through Milton, that at the heart of the sonnet's power as a form is the trope of synecdoche, which he connects up with the very moment and act of representation - thereby "inventing" the...
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Moving through Whitman's career four times from four different perspectives, this book investigates several major American cultural developments that occurred during Whitman's lifetime - the development of American dictionaries, the growth of baseball, the evolution of American Indian policy, the development of photography and photographic portraits - and tracks the ways these cultural actions became essential components of Whitman's innovative poetics.
Resisting...
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"The Poetics of Natural History is about the daydreams of early American naturalists (from 1730 to 1868) and the collections they created around these dreams. Christoph Irmscher explores how, through the acts of organizing physical artifacts and reflecting upon their collections in writings and images, naturalists from John Bartram to Louis Agassiz were making sense of themselves and their world. These collections allowed them, in a way, to collect...
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