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A trailblazing exploration of the poetic power of popular songs, from Tin Pan Alley to the Beatles to Beyonce and beyond. Encompassing a century of recorded music, this pathbreaking book reveals the poetic artistry of popular songs. Pop songs are music first. They also comprise the most widely disseminated poetic expression of our time. Adam Bradley traces the song lyric across musical genres from early twentieth-century Delta blues to mid-century...
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Clarke (author of The Rise and Fall of Popular Music, 1995) here updates and revises the decade-old first edition of this broad-based source (CH, Feb'90). Adding 146 pages and hundreds of new entries, Clarke continues to focus on performers while also covering songwriters, producers, labels, and genres. For this cheaper paperback edition, the typeface is smaller and the paper quality decidedly poorer. Abbreviations of states help condense the telegraphic...
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National Book Award nominee, critic and one of America's least compromising satirists, Alexander Theroux takes a comprehensive look at the colorful language of pop lyrics and the realm of rock music in general in The Grammar of Rock: silly song titles; maddening instrumentals; shrieking divas; clunker lines; the worst (and best) songs ever written; geniuses of the art; movie stars who should never have raised their voice in song but who were too shameless...
6) Pop
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Guides readers through pop music history as some of the most celebrated pop songs and performers of the last half century are examined.
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Pop stars: the hidden history of digital capitalism - Crossing over: the hidden history of diaspora - Banda: the hidden history of greater Mexico - Jazz: the hidden history of nationalist multiculturalism - Weeds in a vacant lot: the hidden history of urban renewal - Merengue: the hidden history of Dominican migration - The hip hop hearings: the hidden history of deindustrialization - Masquerades and mixtures: the hidden history of passing - Salsa:...
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This publication looks carefully at actual usages of popular music in political processes, as well as expressions of political feeling through song, and argues that there is much to encourage us to think that the demand for radical change remains in circulation. The question is, though, how necessary is it for politically-motivated popular music to offer aesthetic novelty?
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Hearts of Darkness is the story of a generation's coming of age through the experiences of its three most atypical pop stars. James Taylor, Jackson Browne, and Cat Stevens could never have been considered your typical late-sixties songwriters. Self-absorbed and self-composed, all three eschewed the traditional means of delivering their songs, instead turning its process inward. The result was a body of work that stands among the most profoundly personal...
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"In 2010--long before the release of Lemonade--Professor Allred created the university course 'Politicizing Beyoncé' to both wide acclaim and controversy. He outlines his pedagogical philosophy in Ain't I a diva?, exploring the process of teaching Beyoncé and what it means to use a superstar to blow up the canon. Examining the entertainer's career alongside the work of Black feminist thinkers, Allred shows how pop culture is so much more than a...
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Why is gender inseparable from pop songs? What can gender representations in musical performances mean? Why are there strong links between gender, sexuality and popular music? The sound of the voice, the mix, the arrangement, the lyrics and images, all link our impressions of gender to music. Numerous scholars writing about gender in popular music to date are concerned with the music industry's impact on fans, and how tastes and preferences become...
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"Is our love of pop music innately queer? That's the question Sasha Geffen answers--with a "yes," of course--in this book. Beginning with the Beatles and moving to the present, Geffen identifies artists of all stripes who performed "outside the limitations of their assigned genders." This includes not only trans artists like Wendy Carlos, or openly gender-bending artists like David Bowie and Prince, but ostensibly cis and hetero artists whose work...
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Drawing on in-depth interviews, two music journalists have written the first comprehensive history of the mysterious and charismatic figure behind the turntables--part obsessive record collector, part mad scientist, part intuitive psychologist of the party groove. DJs around the world are represented.
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Death metal is one of popular music's most extreme variants, and is typically viewed as almost monolithically nihilistic, misogynistic, and reactionary. Michelle Phillipov's Death Metal and Music Criticism: Analysis at the Limits offers an account of listening pleasure on its own terms. Through an analysis of death metal's sonic and lyrical extremity, Phillipov shows how violence and aggression can be configured as sites for pleasure and play in death...
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