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"This Cambridge Companion to Ezra Pound contains fifteen chapters by leading international scholars, who together reflect diverse but complementary approaches to the study of Ezra Pound's poetry and prose. They consider the poetics, foreign influences, economics, politics and publication history of Pound's entire corpus, and reveal his importance in developing some of the key movements in twentieth-century poetry. The book also situates Pound's work...
8) Ezra Pound
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Description
Detailed analysis traces the development of Pound's poetry to its culmination in the Cantos, and is accompanied by a brief biographical sketch.
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Description
Ezra Pound's Early Poetry and Poetics uniquely contributes to an understanding of Ezra Pound's seminal role in literary modernism. The book allows readers to judge more fully the reasons for Pound's influence on the direction twentieth-century poetry has taken. Central to this effort is Grieve's unfolding of Poundian "objectivity" in Pound's early poetry and poetics, which is shown to be not just an attitude toward reality but a self-conscious deconstruction...
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Must poetic form be, as Yeats demanded, "full, sphere-like, single," or can it accommodate the "impurities" Yeats and his Modernist generation found so problematic? Sixty years later, these are still open questions, questions to which Marjorie Perloff addresses herself in the essays collected here. The first group of essays deals with Pound's own poetics as that poetics related to two of his great contemporaries, Stevens and Joyce, as well as to the...
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In The Dramatic Monologue, Elisabeth A. Howe defines the characteristics of the subject as a genre, clearly differentiating it from the lyric poem. One feature she discusses is the double voice of the dramatic monologue - the reader hears simultaneously the voices of the poet and the speaker. This dialogical effect distinguishes the dramatic monologue both from lyric poetry and from narrative poems written in the first person. The use of a persona...
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