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"In 1963, with the revolutionary 8 1/2, Federico Fellini put his deepest desires and anxieties before the lens, permanently impacting the art of cinema in the process. Now, more than forty years later, film critic and Fellini confidant Tullio Kezich has written the work against which all other biographies of the influential filmmaker are sure to be measured. In this moving and intimately revealing account of a lifetime spent in pictures, Kezich utilizes...
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Michelangelo Antonioni is one of the great visual artists of the cinema. The central and distinguishing strength of Antonioni's mature films, Seymour Chatman argues, is narration by a kind of visual minimalism, by an intense concentration on the sheer appearance of things and a rejection of explanatory dialogue. Though traditional audiences have balked at the "opacity" of Antonioni's films, it is precisely their rendered surface that is so eloquent...
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