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1) Renaissance
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The Renaissance was one of the great periods of creative and intellectual achievement. This "age of genius," from its origins in the thirteenth century to its zenith in sixteenth-century Rome, produced some of the most fascinating and dynamic artists of all time--Donatello, Michelangelo, Raphael, Titian, and Leonardo da Vinci. In this adventurous new book, art critic Andrew Graham-Dixon takes a fresh look at this most exciting period in art history,...
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"Niccolò di Bernardo dei Machiavelli (Italian: [nikkol makjavlli]; 3 May 1469 ? 21 June 1527) was an Italian historian, politician, diplomat, philosopher, humanist and writer based in Florence during the Renaissance. He was for many years an official in the Florentine Republic, with responsibilities in diplomatic and military affairs. He was a founder of modern political science, and more specifically political ethics. He also wrote comedies, carnival...
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"Avoiding the straitjacket of fashionable theory, the book is organized traditionally by period and architect. Social context, technical innovation and aesthetic judgement are all given due weight, with particular emphasis on the way in which each architect balanced individual inspiration with the accepted Vitruvian canon. Generously illustrated throughout with photographs, drawings, plans and reconstructions, it brings into relief the extraordinary...
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"Today few would think of astronomy and astrology as fields related to theology. Fewer still would know that physically absorbing planetary rays was once considered to have medical and psychological effects. But this was the understanding of light radiation held by certain natural philosophers of early modern Europe, and that, argues Mary Quinlan-McGrath, was why educated people of the Renaissance commissioned artworks centered on astrological themes...
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The Roman author Pliny tells the story - well known in the Renaissance - of the famous Greek painter Apelles hiding behind one of his pictures to overhear the comments of spectators. Martin Kemp takes this motif as an effective point of entry into the problem of what lies behind the business of picture-making in the Renaissance, in particular the role of the artist and the function of works of art in relation to their various kinds of audience.
Description
Giving free rein to his passion for perspective, Paolo Uccello immortalized a clash between Florentine and Sienese troops in his Battle of San Romano. This program uses that three-panel Early Renaissance masterpiece to gain insights into Uccello's fascination with three-dimensionality as well as his intense curiosity about geometrical forms, color, and movement.
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