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"The essays in Arts of the Possible search for possibilities beyond a compromised, degraded system, seeking to imagine something else. They call on the fluidity of the imagination, from poetic vision to social justice, from the badlands of political demoralization to an art that might wound, that may open scars when engaged in its work, but will finally suture and not tear apart."--Jacket.
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"America's poet of conscience reflects on the proven and potential role of poetry in contemporary politics and life. Through journals, letters, dreams, and close readings of the work of many poets, Adrienne Rich reflects on how poetry and politics enter and impinge on American life. This reissue includes a new preface by the author as well as her post-9/11 "Six meditations in place of a lecture.""--Jacket.
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"Henneberg shows how these writers offer radically different but richly complementary strategies for breaking the silence surrounding age. Rich provides an approach to aging so strongly intertwined with other political issues that its complexity may keep us from immediately identifying age as one of her chief concerns. On the other hand, Sarton's direct treatment of aging sensitizes us to its importance and helps us see its significance in such writings...
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Self and Sensibility in Contemporary American Poetry is an inquiry into the cultural roles lyric poetry does and can play in our age. Charles Altieri first establishes a dominant mode in "serious" American poetry by identifying current assumptions inherent in the teaching of creative writing and the awarding of prizes and contracts. The dominant mode is seen not as a prescribed style but as a set of styles that share assumptions and that tend to seek...
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"The everyday is what the prophetic poet focuses on, that is what fills him with rage, that is what he wants to transform." "Everyday and Prophetic is the first book to describe and analyze at length the complex relationship between the prophetic voice and the everyday voice in postwar and contemporary American poetry. Halpern demonstrates the ways in which the tension between these voices is centrally important to poetry and argues that focusing...
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"Citing the massive horrors of the Nazi death camps and the domestic violence behind a woman's suicide, Adrienne Rich challenges a fellow poet: "would it relieve you to decide 'Poetry doesn't make this happen'?" In her provocative reassessment of the modern American love lyric, Barbara L. Estrin pursues Rich's question and discovers the connection between the language of love poetry and the rhetoric of hate speech that culminated in the genocides...
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In Fashioning the Female Subject, Sabine Sielke addresses the often nebulous concept of female subjectivity through a critical analysis of the poetry of Emily Dickinson, Marianne Moore, and Adrienne Rich, each of whom has uniquely fashioned and transformed the female subject over the last 150 years. Applying the feminist theories of Kristeva, Irigaray, and Cixous, Sielke articulately develops a notion of female subjectivity as an intertextual network,...
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Description
When Anne Sexton, Adrienne Rich, Sylvia Plath, and Gwendolyn Brooks began to write poetry during the 1940s and 1950s, each had to wonder whether she could be taken seriously as a poet while speaking in a woman's voice. This book title, the last line of one of Sexton's early poems, calls attention to how resourcefully the "I-You" relation had to be staged in order for this question to have an affirmative answer. Whereas Rich tried at first to speak...
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