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"This volume introduces to an English-language audience the writings of the so-called "new Vienna School" of art history. In the 1930s Hans Sedlmayr and Otto Pacht undertook an ambitious extension of the art historical project of Alois Riegl (1858-1905). Sedlmayr and Pacht began with an aestheticist conception of the autonomy and irreducibility of the artistic process. At the same time, they believed they could read entire cultures and worldviews...
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