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First published in 1957, this seminal work of film theory analyzes the process--"the mysterious alchemy"--by which novels are transformed into films. Beginning with a discussion of the aesthetic limits of both the novel and the film, George Bluestone goes on to offer close readings of six films based on novels of serious literary merit--The Informer, Wuthering Heights, The Grapes of Wrath, Pride and Prejudice, The Ox-Bow Incident, and Madame Bovary--focusing...
Author
Description
This book offers a unique contrast in media approach to film and fiction. It seeks to sharpen an understanding of how stories and films work and it encourages a reader-viewer to probe more confidently into the strategies of cinematic and literary storytelling modes. Each of the first ten story/film combinations closes with exercises and writing suggestions designed to enhance critical awareness and faster creative writing. Five contrasts in media...
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