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Japanese artist Shinkichi Tajiri (1923?2009) led a life and created a body of work that are both rich in paradox. Born in America to Japanese parents, he began his career in Paris, then lived in the Netherlands for half a century. This collection presents six essays that offer various perspectives on the ways that Tajiri?s complicated, overlapping personal identities were transformed through his art.
Author
Description
"Throughout her career, Eva Hesse (1936-1970) produced a significant number of small, experimental works alongside her large-scale sculpture. These so-called "test-pieces" were made in a wide range of materials, including latex, wire-mesh, sculp-metal, wax, and cheesecloth. Rather than considering them simply technical explorations, the art historian Briony Fer renames these small objects studiowork and argues that they put in question conventional...
Author
Description
"A survey of the work of Arlene Shechet, this book presents more than two decades of sculpture in the artist's characteristically diverse assortment of materials. Arlene Shechet has emerged as one of contemporary art's most inspiring and innovative sculptors. This book presents over twenty years of work in a diversity of materials, from plaster to cast paper, and from glass to ceramic. These materials, unlike most, are liquid before they are solid....
Author
Description
"In Isamu Noguchi and Modern Japanese Ceramics scholars illuminate the overlooked zone of interaction between conceptions of art and craft by focusing on the work of ceramic artists who believed themselves centrally engaged with modernism, surrealism, and other issues of concern to an international art world. Bert Winther-Tamaki considers issues of identity that shaped Noguchi's "embrace" of the Japanese earth as a medium of modern sculpture and design....
Author
Description
Although most modern art historians viewed the figure as regressive, early-20th-century American sculptors embraced the human form. Curator of American Art at the Los Angeles County Museum of Art, Fort presents a wide selection of works from this period, not as a movement from the naturalistic to the abstract but as a reflection of a rapidly changing American society. While she sees much modern American sculpture as rooted in the works of Auguste...
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