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"Seeing Differently offers a history and theory of ideas about identity in relation to visual arts discourses and practices in Euro-American culture, from early modern beliefs that art is an expression of an individual, the painted image a "world picture" expressing a comprehensive and coherent point of view, to the rise of identity politics after WWII in the art world and beyond.
The book is both a history of these ideas (for example, tracing the...
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The worldwide prominence of snakes in religion, myth, and folklore underscores our deep connection to the serpent -- but why, when so few of us have firsthand experience? The surprising answer, this book suggests, may lie in the singular impact of snakes on primate evolution. Predation pressure from snakes, Lynne Isbell tells us, is ultimately responsible for the superior vision and large brains of primates -- and for a critical aspect of human evolution....
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From the Publisher: In this fascinating juxtaposition of science and art history, ophthalmologists Michael Marmor and James Ravin examine the role of vision and eye disease in art. They focus on the eye, where the process of vision originates, and investigate how aspects of vision have inspired and confounded many of the world's most famous artists. Why do Georges Seurat's paintings appear to shimmer? How come the eyes in certain portraits seem to...
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"In Virginia Woolf and the Visible World, Emily Dalgarno argues that Woolf's subject emerges from a conflict in codes of the visible. She examines how Woolf's writing engages with visible and non-visible realms of experience, and draws on ideas from the diverse fields of psychoanalytic theory, classical Greek tragedy, astronomy, photography and photojournalism. Dalgarno offers analyses of Woolf's individual works, including To the Lighthouse, The...
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