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"The Oxford Handbook of Late Antiquity offers an innovative overview of a period (c. 300-700 CE) that has become increasingly central to scholarly debates over the history of western and Middle Eastern civilizations. This volume covers such pivotal events as the fall of Rome, the rise of Christianity, the origins of Islam, and the early formation of Byzantium and the European Middle Ages. These events are set in the context of widespread literary,...
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In the waning years of the Roman Empire, Jews, Christians, and pagans alike used rituals to bridge the gap between the human and the divine. Depending on one' s point of view, however, such rituals could be labeled negatively as "magic" or positively as "theurgy." This has led to numerous problems of interpretation, including marginalizing certain ritual practices as magic or occult while privileging others as genuine or orthodox. In Icons of Power,...
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"In Violence and Belief in Late Antiquity, Thomas Sizgorich seeks to understand why and how violent expressions of religious devotion became central to the self-understandings of both Christian and Muslim communities between the fourth and ninth centuries. Sizgorich argues that the cultivation of violent martyrdom as a path to holiness was in no way particular to Islam; rather, it emerged from a matrix put into place by the Christians of late antiquity....
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By focusing on a single year not overshadowed by an epochal event, 428 AD provides a fresh look at a civilization in the midst of enormous change--as Christianity takes hold in rural areas across the empire, as western Roman provinces fall away from those in the Byzantine east, and as power shifts from Rome to Constantinople. Retracing the kind of route a contemporary gazetteer might have taken, Giusto Traina describes the empire's people, places,...
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"Compared to the wealth of information available to us about classical tragedy and comedy, not much is known about the culture of pantomime, mime, and dance in late antiquity. Charges of obscenity and polemical anti-theater discourse have, at times, erased these popular performance traditions from the modern imagination. Demons and Dancers returns us to the times and places where those great ancient theaters were more than picturesque ruins dotting...
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