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Author
Description
This is the first gathering in thirty years of Steichen's photographs, spanning seven decades: the landscapes, the haunting studies of flowers, the portraits of friends and family, the still lifes and cityscapes. Here are fashion photographs taken during the fifteen years Steichen worked for Vogue. And here too are the breathtaking portraits he made for Vanity Fair ... In a personal and illuminating text, Joanna Steichen writes about her husband's...
Author
Description
Edward Steichen (1879-1973) was a major figure in the evolution of American photography and exhibition design. Having begun his artistic career as a painter, he was later a founding photographer of the Photo-Secession group, together with Gertrude Kasebier, Clarence White, Alvin Langdon Coburn, and Alfred Stieglitz. With Stieglitz, he first exhibited European "modern art" at Gallery 291 in New York City, and published the seminal journal Camera Work....
Author
Description
Not since 1929 has there been a biography of Edward Steichen, photographer, painter, and a pivotal yet enigmatic figure in twentieth-century art and culture on two continents. Steichen, who died just short of his ninety-fourth birthday, was fifty and internationally famous when Steichen the Photographer was written by his brother-in-law, the poet and biographer Carl Sandburg. Now Penelope Niven, whose highly acclaimed biography of Sandburg appeared...
Author
Description
"During the 1920s and 1930s, Edward Steichen was the most successful photographer in the advertising industry. Although much has been said about his fine-art photography, his commercial work - which appeared regularly in Vanity Fair, Vogue, Ladies' Home Journal, and other popular magazines - has not received the attention it deserves."--BOOK JACKET. "In this book, Patricia Johnston uses Steichen's work as a case study of advertising photography as...
Author
Description
"This volume, published to accompany the first posthumous European retrospective of Edward Steichen's work, traces Steichen's career trajectory from his early Pictorialist beginnings to his time working with Conde Nast and his directorship of the Department of Photography at the Museum of Modern Art, New York. Hundreds of vintage photographs are accompanied by essays from a range of scholars who explore Steichen's most important subjects and weigh...
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