San Antonio College Library

Bodenheimer explores the thoughtworld of a Victorian novelist deeply intrigued by 19th-century ideas about the unconscious mind. This book shows how unconscious processes and acts of self-projection were used by Dickens to negotiate the ground between knowing and telling, revealing and concealing.

"Kimberly Nichele Brown examines how African American women since the 1970s have found ways to move beyond the 'double consciousness' of the colonized text to develop a healthy subjectivity that attempts to disassociate black subjectivity from its connection to white culture. Brown traces the emergence of this new consciousness from its roots in the Black Aesthetic Movement through important milestones such as the anthology The Black Woman and Essence...

"It has been clear form the beginning that William Blake was both a political radical and a radical psychologist, and in "William Blake on Self and Soul", Laura Quinney uses her sensitive, surprising readings of the poet to reveal his innovative ideas about the experience of subjectivity."--[book jacket].

During the past two decades few contemporary poets have received as much critical attention as W.S. Merwin and John Ashbery. This is true in part because these poets - in quite antithetical fashions - have insistently challenged rudimentary suppositions about signification and meaning. Echoes and Moving Fields considers Merwin's course from A Mask for Janus to The Rain in the Trees, commenting on the demands implicit in his use of stasis, primitivist...

The four plays of Shakespeare's Henriad and the slightly later Hamlet brilliantly explore interconnections between political power and interior subjectivity as productions of the newly emerging constellation we call modernity. Hugh Grady argues that for Shakespeare subjectivity was a critical, negative mode of resistance to power--not, as many recent critics have asserted, its abettor. (Amazon).