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Description
This seven-disc collection contains 155 avant-garde films, revealing hitherto unknown accomplishments of American filmmakers working in the United States and abroad from the invention of cinema until World War II. Offers an innovative and often controversial view of experimental film as a product of avant-garde artists, of professional directors and of amateur moviemakers working collectively and as individuals at all levels of film production.
Description
Surrealism dominated and influenced artistic and intellectual movements of the twentieth century, and has proven to be a permanently relevant force. This title presents an exploration of how over 200 paintings demonstrate the power of the imagination, the random surprises of daily life and the observation of inexplicable phenomenon.
Description
The surrealist leader André Breton described desire as the "only master that man must recognize." One of the surrealism's defining themes, desire was expressed variously in Salvador Dalí's charged landscapes, Joan Miró's lyric abstractions, and Hans Bellmer's unsettling nudes. Influenced by Sigmund Freud, the surrealists saw sexual desire as a path to self-knowledge - "a theatre of provocations and prohibitions in which life's profound urges confront...
15) Magritte
Author
Description
" ... offers 40 chapters of critical insights and clues to Magritte's puzzles"--Publisher description.
16) Salvador Dalí
Author
Description
"Salvador Domingo Felipe Jacinto Dali y Domenech, Marquis of Pubol, was born in Catalonia on May 11, 1904, and died on January 23, 1989. Best known as a surrealist painter, his artistic output also included film, sculpture, photography and writing. Dalis is also notorious for his eccentric behaviour and his involvement with the Dada movement, which often drew more attention to himself than his art. In this new narrative exploration of Salvador Dali,...
Author
Description
"When René Magritte reached his 40s, something unexpected happened. The painter, who had honed an iconic Surrealist style between 1926 and 1938, suddenly started making paintings that looked almost nothing like his earlier work. First he adopted an Impressionist aesthetic, borrowing the sweet, hazy palette of Pierre-Auguste Renoir-which he described as "sunlit Surrealism." Then his style shifted again, incorporating popular imagery, the brash colors...
Author
Description
Tracing the movement from its origins in the 1920s to its decline in the 1950s and 1960s, Durozoi tells the history of Surrealism through its activities, publications, and reviews, demonstrating its close ties to some of the most explosive political, as well as creative, debates of the twentieth century. Unlike other histories, which focus mainly on the pre-World War II years of the movement in Paris, Durozoi covers both a wider chronological and...
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