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"Game of Thrones, one of the hottest series on television leaves hundreds of critics divided on how "feminist" the show really is. Certainly the female characters embody a spectrum of archetypes. However, the problematic area is that most of them play a single role without nuance. This book analyzes the women and their portrayals one by one"--
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Publisher description: Where do program ideas come from? How are concepts developed into saleable productions? Who do you talk to about getting a show produced? How do you schedule shows on the lineup? What do you do if a series is in trouble? The answers to these questions, and many more, can be found in this comprehensive, in-depth look at the roles and responsibilities of the electronic media programmer. Topics include: Network relationships with...
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"This second edition of Historical Dictionary of African American Television includes a chronology, and introduction, appendixes, bibliography, and more than 1,000 crose-referenced entries on actors, performers, producers, directors, journalilsts, sports and announcers, as well as series, specials, and movies relevant to African American themes and casts."
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Television is a form of media without equal. It has revolutionized the way we learn about and communicate with the world and has reinvented the way we experience ourselves and others. More than just cheap entertainment, TV is an undeniable component of our culture and contains many clues to who we are, what we value, and where we might be headed in the future.
Description
This essay collection focuses on the gendered dimensions of reality television in both the United States and Great Britain. Through close readings of a wide range of reality programming, from Finding Sarah and Sister Wives to Ghost Adventures and Deadliest Warrior, the contributors think through questions of femininity and masculinity, as they relate to the intersections of gender, race, class, and sexuality. They connect the genre's combination of...
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"It was the age of Jim Crow, riddled with racial violence and unrest. But in the world of Our Gang, black and white children happily played and made mischief together. They even had their own black and white version of the KKK, the Cluck Cluck Klams--and the public loved it. The story of race and Our Gang, or The Little Rascals, is rife with the contradictions and aspirations of the sharply conflicted, changing American society that was its theater....
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