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Description
Why do plays well over two millennia old still speak to audiences today? This program traces Greek theater from ancient harvest rites to the golden age of Aeschylus, Sophocles, Euripides, and Aristophanes. Key scenes from Antigone, Oedipus Tyrannus, Medea, and Lysistrata show how these works remain relevant by exploring the timeless themes of honor, class, gender, sexuality, and politics. Essential concepts such as catharsis, hamartia, and the use...
Description
This fascinating program brings viewers into a workshop run by John Barton, cofounder of the Royal Shakespeare Company, that demonstrates how vividly accessible Shakespeare's language can be when it is heard rather than read. Barton explains that Shakespeare's text gives subtle cues to actors about how a scene should be played, and that audiences can become immersed in the action by a verbal invitation to the imagination ("Think, when we talk of horses,...
Description
The American Repertory Theater is one the most respected and innovative dramatic institutions in the United States. Through the prism of the A.R.T., this program explores the organizational and creative challenges facing today's theater community and describes the flexibility and resilience arts groups must have to survive in today's cultural climate. F. Murray Abraham, Debra Winger, and numerous other renowned performers-along with groundbreaking...
Description
The historical Dr. Faust, and the legends that have arisen around him thanks to the writings of Marlowe, Lessing, and Goethe, are the subject of this fascinating program. The real Faust-excommunicated as a heretic-is presented as a victim of the political and religious tensions of his day. In a medieval world that believed in the corporeal presence of the Devil, the accusation that Faust was in league with Mephistopheles seems strangely reasonable....
Description
In this program, Brooks McNamara, expert on 19th-century theater at New York University, and theater historian and author Mary Henderson plot out three crucial transitions in American culture between 1875 and 1914: for budding actors, a shift from apprenticeship to academy-oriented training at centers such as The American Academy of Dramatic Arts; for playwrights, a progression from surface realism to the earliest form of American naturalism; and...
Description
They gave their names to some of the most memorable plays in Western history, and, thousands of years later, they are still very much a presence in contemporary culture. Who were the women of classical Greek drama? In this program, the presentation of powerful women in Medea, Antigone, and Lysistrata is contrasted with the circumscribed role of women in Athenian society by Princeton University's Froma Zeitlin; Helene Foley, of Barnard College; Jeffrey...
Description
This program analyzes the cultural changes that occurred during the early 20th century, the golden age of American mainstream theater. Ellen Adler, owner of The Stella Adler Conservatory; playwright Michael Dinwiddie; Brooks McNamara, director of the Shubert Archive; and theater historian and author Mary Henderson address topics such as the impact of immigrants on the emerging voices in drama; the blossoming of ethnic theater; the role of the American...
Description
In this program, Brooks McNamara, expert on 19th-century theater at New York University; theater historian and author Mary Henderson; playwright Michael Dinwiddie; and New York City historian George Thompson examine the efforts at theater-making in America from the 1750s to the eve of the Civil War. Among the topics discussed are actor training; the stage careers of Ira Aldridge, Edwin Forrest, and William Macready; the African Theater Company; the...
Description
This program considers the unique synergy between method acting and poetic realism, as Ellen Adler and Tom Oppenheim, of The Stella Adler Conservatory, and author William Simon track the changes in American theater from pre- to post-World War II society. America's newfound place on the world stage is spotlighted, along with the careers of Paul Robeson, Canada Lee, and Marlon Brando; milestone plays such as A Streetcar Named Desire, Cat on a Hot Tin...
Description
In this program, Ellen Adler, owner of The Stella Adler Conservatory, and author William Simon appraise the impact of the drama groups that flourished during the Depression-both those that were privately operated and those that were federally funded-and their lasting contributions to theater. Among the topics discussed are the American Method style of acting, as pioneered at the Group Theatre; the Federal Theater, the Classical Theatre (Project 891),...
Description
In Grover's Corners, New Hampshire, the time is 1901 and the place is America's collective memory. But Thornton Wilder's Our Town is not the sentimental nostalgia piece most people perceive. This program hosted by Eli Wallach offers wide-ranging and extraordinarily deep insights into the play from those who arguably know it best: Our Town alumni who over the years have brought the play to life on stage and screen. Interviews with Paul Newman (Stage...
Description
Tennessee Williams' masterpiece The Glass Menagerie is a prime example of the memory play in modern literature. In this program hosted by Eli Wallach, former cast members and directors of Menagerie discuss plot and thematic elements, the characterization of some of theater's most memorable and enduring dramatic figures, and the era in which the play was written. Commentary is provided by Ruby Dee, Olympia Dukakis, Julie Harris, and Molly Regan (Amanda);...
Description
Hosted by Eli Wallach, this program dissects Lorraine Hansberry's A Raisin in the Sun through the sharp insights of Joe Morton (Walter Lee Younger); Kim Yancey (Beneatha Younger); Phylicia Rashad (Lena Younger); Ruby Dee, Audra McDonald, Starletta DuPois, and Ernestine Jackson (Ruth Younger); Ralph Carter (Travis Younger); John Fiedler (Carl Lindner); directors Lloyd Richards and Jack Hofsiss; Broadway producer Philip Rose; and Hansberry expert Lynn...
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