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2) The tempest
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Description
This edition of The Tempest is the first dedicated to its stage history. Drawing on a wide variety of sources, it examines four centuries of mainstream, regional, and fringe productions in Britain (including Dryden and Davenant's Restoration adaptation), nineteenth- and twentieth-century American stagings, and recent Australian, Canadian, French, Italian, and Japanese productions. In a substantial, illustrated Introduction Dymkowski analyses the cultural...
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At Troy during the Trojan War, Troilus and Cressida begin a love affair. Cressida is forced to leave Troy to join her father in the Greek camp. Meanwhile, the Greeks endeavour to lessen the pride of Achilles. The tone alternates between bawdy comedy and tragic gloom. Readers and theatre-goers have frequently found it difficult to understand how they are meant to respond to the characters. Frederick S. Boas has labelled it one of Shakespeare's problem...
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In the past few decades, no group of Shakespeare's plays has increased more in public and scholarly esteem than the four late comedies - Pericles, Cymbeline, The Winters Tale, and The Tempest - generally collected in modern editions under the heading "Romances." Major summaries tracing the rise in critical fortunes of the romances reveal that the shift in appreciative estimate has been accomplished by the collective efforts of many persons pursuing...
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Shakespeare was in love with Italy. A third of his plays are set in the country. Francesco da Mosto visits the spectacular locations, traces the Italian myths and reveals how a long dead, foreign playwright's imagination continues to influence and shape real Italian cities, even now.
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