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Modern studies of Virgil's Georgics have begun with the assumption that the poem is an exposition or, more recently, an idealization of rustic life and that the contrasting perspectives in it must all be shown to contribute to a single vision of that life if the poem is to be viewed as a coherent unity. The present study begins with the quite different assumption that we must accept inconsistencies in the Georgics as real, because the poem is a series...
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