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Previous studies of Wagner's operas have tended to approach the works as chunks of autobiography, philosophical speculations or historical-political comments on the age in which they were written. Professor Dahlhaus dissociates himself from all such ventures. His aim is to discover by careful analysis of the works from Der fliegende Holländer to Parsifal what are the dominant features of 'music drama' and how Wagner achieves such profound, unified...
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"Opera is legendary for going to extremes - a tendency that has earned it a reputation for unreality. Opera and Modern Culture shows the reverse to be true. Kramer argues that for the past two centuries the preoccupation of a group of famous operas with the limits of supremacy and debasement helped to define a normality that seems the very opposite of the operatic. Exemplified in a series of beloved examples, a certain idea of opera - a fiction of...
Description
Despite the voluminous literature on Wagner's operas, little has been published that does justice to all the elements of their performance. This book, addressed to both specialists and the opera-going public, brings together a team of authorities from around the world to examine the performance history and reception of Wagner's works in Europe and America. Essays on conducting, singing, production, and stage design of Wagner's works explore the revolutionary...
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