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The world knows Edith Wharton the writer: the first woman to win the Pulitzer Prize, the chronicler of late-nineteenth- and early-twentieth-century social mores, the author of such remarkable books as The Age of Innocence, Ethan Frome, and The House of Mirth. Equally significant is Edith Wharton the designer. Wharton is widely regarded as the inventor of the concept of interior design, both in her writings on the subject (The Decoration of Houses,...
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"Once considered the "last Victorian," Edith Wharton and her fiction were at first greeted with the gentility proper to a lady of New York's social elite. Gradually, however, critics became gadflies incessantly buzzing at a Sphinx who seemed never to comment on her own work. At times, though, her impulses took control and she made remarks in letters and elsewhere that, on the one hand, appear to illuminate the fiction, but on the other, often raise...
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This study reflects recent feminist interest in Wharton as a critic of American materialism and as a woman who personally escaped from the confines of the conventional, prosperous Eastern urban society of her time. Building upon the work of R. W. B. Lewis and C. G. Wolff, the author gives close readings of Wharton's best-known novels and traces her interpretation of changing social mores from the 1870s through the 1920s. Concludes that Wharton was...
Description
In June 1923, Edith Wharton, who had not set foot on native soil since before the First World War, came home to accept an honorary degree from Yale University. In April 1995, friends of Wharton again convened at Yale. The essays collected in "A Forward Glance: New Essays on Edith Wharton" represent a portion of the ocmplex and varied scholarly work delivered at that conference. -- From publisher's description.
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Edith Wharton, one of America's foremost women of letters, chronicled the glittering world of New York society in the early twentieth century. Her stories, collected in such volumes as The Greater Inclination (1899), The Descent of Man and Other Stories (1904), and Tales of Men and Ghosts (1910), scrutinize the moral decay beneath the glamorous facade of wealth and good manners. Although Wharton's sensibilities are closely aligned with Victorian literary...
17) Edith Wharton
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Contains a representative selection of critical essays on the fiction of Edith Wharton arranged in chronological order.
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"Imagining modernism as a series of conversations, this study locates Edith Wharton's voice in those debates - providing a new and thoughtful perspective. In chapters on French Impressionism and subjectivity, birth control and prostitution, masculinity, war and civilization, marriage and divorce, and the nature of the artist, this book traces Wharton's positions on the social, cultural, and literary issues that shaped modernism."--BOOK JACKET.
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"Emily Orlando contends that while Wharton's early work presents women enshrined by men through art, the middle and later fiction shifts the seat of power to women. From Lily Bart in The House of Mirth to Undine Spragg in The Custom of the Country and Ellen Olenska in The Age of Innocence, women evolve from victims to vital agents, securing for themselves a more empowering and satisfying relationship to art and to their own identities." "Orlando also...
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Lurking Feminism explores Edith Wharton's legacy as a writer of supernatural fiction through her subversive use of the ghost story to express feminist concerns. Her stories protest the domination of patriarchal structures and language.
Moreover, they probe the complexities facing both men and women in defining gender roles and experiencing sexuality, in overcoming power struggles in relationships, and in resolving internal conflicts between debilitating,...
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