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Analyzing Western films from different vantage points and by using different critical methods, Tuska compares the recorded fantasies about the American West with the actual historical events. He deals with the social and psychological aspects of the systematic distortion and misrepresentation of the American past, and the influence of this practice on the national character. Part I investigates the structure of Westerns--the formula Western, the historical...
Author
Description
This study of Peckinpah's westerns traces the film artist's career from his first television projects such as Gunsmoke and The Rifleman to such late sabotaged works as Pat Garrett and Billy the Kid and The Getaway. The author speaks of Peckinpah's kinesthetic style and his complex, troubled psyche and compares him to John Ford. He examines the western myth, masculinity in films, literature and Ride the High Country, The Wild Bunch and The Ballad of...
Author
Description
Showdown is a study of America's oldest, most representative film genre, the Western movie from the perspective of social allegory. It assesses scores of major and minor films to show how Westerns function as vehicles for contemporary social and political critiques of American life.
Description
"The "cowboys and Indians," sheriffs and outlaws, schoolmarms and barkeeps of Western films have wholly transformed our ideas about the reality of the American frontier. Westerns is the first book to consider seriously the historical meanings and functions of the Western film genre. In Westerns, leading scholars unpack the ways in which the form has embellished, mythologized, and erased past events. Contributors explore the mythic "Wild West" envisioned...
Author
Description
In Playing Cowboys, Robert Murray Davis examines the Western hero--a principal image of American manhood since publication of The Virginian--as portrayed by a variety of post-World War II novelists and filmmakers. Innovative artists have used the Western to discuss issues of ethics and aesthetics, but its greatest impact may have been on popular cultural values. Davis shows that the Western is not primarily about escape or violence, but, at its best,...
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