San Antonio College Library

Two unemployed musicians accidentally witness the St. Valentine's Day Massacre and flee to Miami disguised as female musicians.

International scholars engage in a conversation about music and gender in various cross-culture case studies in an effort to determine how music can help individuals, groups, and nations bridge difficult times of changing values.

Hudson lets us listen in on conversations with thirty-nine musical artists, including Emily Robinson, Terri Hendrix, Lee Ann Womack, Rosie Flores, Betty Buckley, Marcia Ball, Lavelle White, and Bobbie Nelson. Hudson encourages and allows the women to tell their own stories as she delves into their life journeys, creative processes, and the importance of writing and performing music, be it blues, rock, country, folk, jazz, or pop.

This updated, expanded, and reorganized edition of Women and Music features even more women composers, performers, and patrons, even more musical contexts, and an expanded view of women in music outside Europe and North America. A popular university textbook, Women and Music is enlightening for scholars, a good source of programming ideas for performers, and a pleasure for other music lovers.

Gathers firsthand accounts of women composers, conductors, and performers of the past, including Clara Schumann, Marian Anderson, and Lillian Nordica.

Introduce viewers to three women who have found employment in the field of music. This program profiles Sandra Schultz, a sound engineer and technician who records and mixes for music producers; Shelley Park, a guitar builder who produces between 12 and 20 instruments per year; and Alice Bernier, an electronic music composer who works out of her own high-tech studio. Commentary from colleagues and associates rounds out each description. - Container. Career...

This two-volume reference describes the role of women in all types of music in the U.S. since 1900. The alphabetically-arranged entries cover important individuals (chosen for the significance of their contributions rather than for their popularity), biographical overviews, gender issues, education, music genres, honors and awards, organizations and professions. Entries (ranging from half a page to several pages in length) conclude with a short list...

"Zilphia Horton was a pioneer of cultural organizing, an activist and musician who taught people how to use the arts as a tool for social change, and a catalyst for anthems of empowerment such as "We Shall Overcome" and "We Shall Not Be Moved." Her contributions to the Highlander Folk School, a pivotal center of the labor and civil rights movements in the mid-twentieth century, and her work creating the songbook of the labor movement influenced countless...

"An extended study of the writings of Lil' Kim, the multi-platinum selling Hip Hop artist. Examines Lil' Kim's anti-sexist, gender-defiant and ultra-erotic verse alongside issues of race and the politics of imprisonment. This is the first study to apply the tools of literary criticism to Hip Hop's lyrical writings."--Publisher's website.